By Emmanuela Bakola
tradition of fierce interpoetic contention; the play on the limitations of the comedian style and the interplay with satyr drama and tragedy, in particular Aeschylus; stagecraft and dramaturgy; comedian plot-construction and characterization; the author's mirrored image on his quick political, social and
intellectual context. in addition to supplying perception into Cratinus, her publication enriches our realizing of fifth-century Athenian comedy in a dynamic evolving environment.
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